Working (WIP), processing... processing

I am working on another French piece (dreaming on canvas) at the moment. I'll be finished with this one shortly, and will be starting my large cloud paintings and the first pieces for Whistle Pik. Did I tell you? I have been offered some wall space in the gallery of my dreams! They want much larger pieces than I have been making, so every time a painting sells, I am to replace it with a larger one. Yee-haw!!! I have so been wanting to work large!


So moving on to what I have been mulling over this morning...

I've been thinking about the transitional relationship between highlights and shadows, human behavior, and addiction. Odd combo, yes?

There is something of a warm shock in the shift between light and shadows. Its like those tantalizing wisps of electricity that pass between two people with great chemistry. Its a deep, sometimes clear heat that is obvious to the parties involved, but not as noticeable to indifferent onlookers. It is fleeting and delicate, but powerful. I think THAT transition between the shades can make a spectacular painting out of an OK one.

But its not just about the transition.
A good painting has the lure of beautiful form, clear and sound values, and luscious textures for that fabulous little spark of chemistry to turn it into something amazing.

Transitions are exciting. The problem arises when that lovely bit of chemistry is taken too far. In the excitement of noticing those wonderful little explosions of heat between cool and warm colors, it is easy to over emphasized that transition and lose the impact.

All things in moderation, right?

Aloof, baby. Aloof!

Or is it passion, baby, passion?

Every once in a while we artists sail through a piece, totally in The Zone, fascinated, in love with the process, and the finished piece is bathed in heavenly light as a chorus of angels sing its glory. Those times are fleeting, but so incredibly sensual that they keep us coming back for more. There is a secret hope that the next painting process will be magic. That hope is what keeps us working through the monotonous, "I've lost my muse" times.
Its an addiction.

Hello, my name is Sara and I am an addict.

Pacific Fog

Pacific Fog
6" x 8"
oil on canvas board

Years ago I recorded this scene in my Moleskine sketchbook. I had a very vague memory of the colors, so I used whatever I thought would look right.

Again, my main focus was brushwork. Practicing laying the paint down and leaving it.

Middle Creek Mesquites

Middle Creek Mesquites
6" x 8"
oil on canvas board

Sorry about the washed out photo. I did a rush job on this batch of images, but will have a better one when I put it on my website. I'll let you know when I do that...

This was right down the street from the previous post's painting spot. I went a little haywire with the color. Well, with the red swath of earth.

Again, working on distance and laying down the paint and leaving it. I enjoyed working around the branches and foliage clumps on the Mesquite trees. I love these trees. They are so variable and limber looking in the shapes they take.

FAS Calvin Liang Workshop

Sauer Beckmann Farm
9" x 12"
oil on canvas board

Let me start by saying day one was TOTALLY AWESOME!!! For really and truly, if you ever get a chance to take a class from Calvin Liang, do it! I kicked myself all morning for not bringing my camera. I wish I had a photo of today's demo to show you. It was beautiful, and so simple, a lot of implied shapes and lines. Just amazing! I aim to paint with that kind of control and confidence.

Above is my painting for today- I took the photo after getting home. I have never tackled dappled sunlight before. It was a little daunting. The shadows kept moving and disappearing and reappearing and rearranging themselves into new patterns.

At one point, I was painting away and feeling a little frustrated and disappointed with my progress, and Calvin came by and said "don't touch this part anymore, and make this cool color warm." Wouldn't it be nice to have someone standing over our shoulders every time we paint telling us how to improve our work? Instead of a Shoulder Angel, it would be a Shoulder Artist. My problem came from trying to paint what I knew and not what I saw. The shadow colors were warm oranges and pale purples, not the blue and greenish-gray I had been using.



So here are some of the things I learned today:

There are 4 elements of painting.
1. Shape
2. Value
3. Color
4. Edges

Always start your painting with a preliminary thumbnail to work out the design. -And don't just copy what you see- create a good design.

Color Structure: Think of the color wheel, and paint with the full circle of colors within highlights, shadows, and mid-ranges. Everything goes in a circle.

Now keep in mind, these are Calvin's tips after being digested by my mind. When you take a workshop from him, I would love to hear what you get from it because we all gather different information.

I am now off to rearrange my plein air set-up... I made the mistake of taking my French easel instead of my Thumbox, because I thought it would be easier to paint on the 9 x 12 canvases. I have a clip for the Thumbox to keep anything larger than an 8 x 10. I'm going back to my beloved itty set-up. Someday I will have a larger pochade box for larger canvases.

I Spy Something Red

I Spy Something Red
6" x 8"
oil on canvas board

I was scrounging around my aunt's kitchen yesterday looking for something to paint. I had planned on painting in her garden again, but it was hot outside and I was much more inclined to work in the air conditioning. I really like the way this one turned out. I had my doubts in mid-process, but it all seemed to come together the same way clouds and reflections on water usually do. I am intrigued. Painting glass is fun!

Next week is going to be a little different. I get to go to a plein air workshop with Calvin Liang. I am so excited!

Linen

Linen
6" x 8"
oil on canvas board

I was in a bit of a hurry to get this one posted, and I am afraid the colors aren't living up to reality. As it turns out, I really like this one, so I am putting it aside as another possibility for the Whistle Pik show in December.

I got my website set up and thanks to Fine Art Studios Online, it is beautiful!

Years ago I made the mistake of building my own website. It was a nightmare. I love the set-up on this one, and it is so easy to update!

Check out my fabulous new website: sarawintersart.com

Tourmaline

Tourmaline
9" x 12"
oil on canvas board

My goal is to finish three paintings by Wednesday. This one took me a little longer than I thought it would.
I think my next two are going to have to be smaller to meet my deadline.

I picked the title because tourmaline is a semiprecious bluish green stone. I like it. I like this boat too. Its a little jewel.

I am going to have to make some changes in the type of yellow I use though, because the one I am using has some red in it. I've been having trouble getting the clean, pure color I want.

Three Sisters

Three Sisters
9" x 12"
oil on linen canvas board
Click here to purchase.

I took the reference photo for this painting last spring at Fisherman's Wharf in Seattle.

Colorado Storm Clouds

Colorado Storm Clouds
16" x 20"
oil on canvas
Click here to purchase.

I really enjoyed this painting! This was from another of my fabulous stash of reference photos from that glorious rainy sunset. I was trying to decide between a photo of boats in the water, but this one won out. I enjoyed the more subdued colors in this photo.

The funny thing about cloud paintings is how they look like a big fat stinking mess until right before they are finished. I learned a while back not to freak out about the pig sty on my cloudy canvases until it is all over and done with. I wiped several paintings before learning that lesson.

I am trying to concentrate on composition. I've been reading, and the almighty "they" seem to agree that the key to a good painting is a good design. Food for thought.

Another Skyscape - WIP

16" x 20"

Its been a while, but here is the start of another cloud painting.

Texas Windmill- testing, tesing 1,2,3

Texas Windmill
6" x 12"
oil on canvas

Oh joy! I have been trying to learn a new program (Aperture 2) and I have made a breakthrough. I can now adjust a photo, and then (hold onto your hats!) POST IT ON MY BLOG!!!! WOOOAAAAH!

Sounds simple, I know, but I totally underestimated the differences between a Mac and a plain ol' PC. I will never go back. NEVER, I TELL YOU! The only thing I really miss is the "end" button, and the right click... I think I saw something in the manual about that- I'll have to read it again.

So to the painting... This is a sweet little plein air piece I just love. (I'm setting it aside as another option for the Whistle Pik show. I like it that much.) The windmill and water tank are situated right next to a farmhouse surrounded by fields, hay bales, barbed wire fences, and a few clumps of cacti. As soon as the cactus fruit are plump and purple I am going to pick some and eat em! Beautiful views and tasty fruit. Life is good.

I may need to retake the photo. Its a bit washed out.
This is a test of the emergency blog post system.... this is only a test.

Firenze Jumble

Firenze Jumble
9" x 12"
oil on linen canvas board
Click here to purchase.

I stumbled upon this cluster of houses on one of Bill Guffey's virtual paintouts. The lines on the houses looked like they were trying to get as far away from each other as possible, as soon as possible. The colors were alluring- I did embellish them a bit, but i like it.

I am learning that painting doesn't have to be hard. Lately, I have not been sketching the scene first. I've been going with my gut and going with visualization... you know, visualize what I want the composition to be and then just putting it down. Sometimes the final painting is a little odd, but I can always change it or start over. Lessons learned.

I like it! Jumping in feels good.

Blue Clouds

Blue Clouds
9" x 12"
oil on linen canvas board
Click here to purchase.

I so love these panels. The linen has much more of a tooth than the cotton.

Working from a computer screen is very different from a photo or life. My clouds came out much more blue, but I like them like that. I was surprised to see the painting in natural light this morning. Lighting makes a difference.

I may use this scene again sometime and tweak the cloud colors to more grays and purples... just to see what happens.

HAY!

Hay!
9" x 12"
oil on canvas board (linen)
Click here to purchase.

About a month ago I was driving down Friendship Lane and saw all these wonderful pot-bellied hay bales lounging in the fields on either side of the road. I took some pictures and used them for the first time last night. I had originally set up my easel off the back porch, but it was soooo hot and the sun was soooo bright that I wimped out and decided to work from a photo instead.

I hadn't painted since I went up to Washington to pack my stuff for the move, so I was feeling a bit rusty. I have to admit, I was not mentally in the best of places while working on this one, but I found forcing myself to focus on the process of painting to be good medicine. It was a good reminder to ditch the "tossers," as my friend Simon puts it, and move on. Unpleasant people and unhappy thoughts are not worth wasting my time and energy on, especially when I can put my energy toward something as amazing as creation.

Art and laughter are the best medicine.

And chocolate.
We cannot forget chocolate!

Texas Summer Sunset

Texas Summer Sunset
9" x 12"
oil on linen board

This is the view from the middle of the field next to my mom's house. Just over the hill is the Kerrville Highway and some motels I forget the name of. The view hasn't changed much since I was a teenager. I'm glad.

I love this painting! Not just because I am in the painting-loving-mood, I am just really excited about this one. I love that pole with all the lines and boxes and streetlights sprouting out in every direction, and the colors that just explode out of nowhere at that most magical time of the day: The Golden Hour. Rightly named. King Midas had his way with the sky and the field, and every little weed became a thing of beauty.

The first day I worked on this one was kind of a mini disaster. I didn't get everything down that I wanted and my tripod was falling apart. Yes, my lovely, new, super-fantastic tripod that I adore so very much because it shrinks down to the size of a pixie cane and weighs just a bit more than a pencil... Anyway! The next day was better, and I was thankful for the previous day's work because I was able to concentrate on what I liked best about the scene- the contrast in colors. I am wishing now that I had taken a picture of the first day's work so you could see the changes. There were changes! Not huge, luckily the infrastructure was pretty sound. Just minor things like a shadow placement here and there, but even the small changes made a big difference.

I like it so much I am going to hang on to it for consideration into the Whistle Pik show in December.

I think this is another one of those transitional paintings for me. While working on it, I felt more in control of what I was doing than I ever have been. I even scraped away some of the paint in the sky on a whim and ended up with some much needed subtle variation. I didn't freak out when some of the blue-ish green from the trees blended into the sky... I just let it be what it would be, and I like the result.

I would like to say thank you to my friend Oscar Arroyo for sparking my interest with his utterly luscious paintings of electricity poles. I love it when artists take the mundane and make it beautiful.

Oh! and this painting is on linen, not my regular canvas. I totally see why people never go back. I'm hooked. I plan on working through the last of my canvases and changing over for good. The paint behaves differently on linen. Subtle maybe, but definitely different. It just feels good.

Little update: This might be the last post I make for the next three weeks. We'll see how things go. I'm in the process of moving back to Texas, and you know how that goes...

Pip pip, cheerio- I'll be back soon!



P.S. Thank you all for leaving your comments- every blogger and artist knows the incredible value of your support!

River Road

River Road
6" x 12"
oil on canvas board

Funny, but I didn't care much for this painting until today. I tucked it away in my wet canvas carrier to dry for a few days and lo and behold- I love it! It makes me want to get out and paint more. Maybe I am just in the right sort of mood to enjoy it now.

Enchanted Rock Project- WIP

This was my first attempt at painting Enchanted Rock. The colors are way off and the dome looks like a giant potato. I am going to rework it using Enchanted Rock Shadows and some reference photos I took as a guide.

Tomorrow Mom, Soren and I are heading to Austin to run some errands, have lunch at Whole Foods, and check out Plein Air Austin's "In the Plein Air Tradition: Art on Location" show. I love Austin! I have been able to see (in person) more incredible art in the past six weeks than I have in the past year.

A Lamplit Memory

A Lamplit Memory
6" x 8"
oil on canvas board
Click here to purchase.

This was a study of reflected light and colors. Once I really started looking, I was amazed to see colors in places I wouldn't have imagined. I love this little painting.

It says warm, cozy, safe, and peaceful to me... and the picture in the painting is one of my son reclining on my arm shortly after he was born. I just may have to do this one larger.

Still playing Catch-Up

Aunt Vicki's Garden
6" x 8"
oil on canvas board
Sold

I loved the colors of the light, shadows and reflected light on and around that pot, and I had fun with the limestone paving stones.

A Break from the Heat

A Break from the Heat
6" x 8"
oil on canvas board
Click here to purchase.

Those clouds were a welcomed sight. It was so hot! I loved the cool swirling energy of the scene. It was a relief.
I truly saw something for the first time the other day- there is a warm band that usually stands between a cool color and a really intense/bright one. Does that make sense? Anyway I find myself looking for it everywhere now. I was so obsessed with it when I did this painting that I think I may have gone a little overboard with it, but I still like it. I love every painting that represents a transition in the way I see or think. It means progress.